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Eclectic Reader
June 8, 2021
“The Things We Worship Eat Us Alive”
Jonathan Parks-Ramage’s debut novel, YES, DADDY (2021) begins with a terse, traumatic, devastating four-page courtroom scene set in 2011 before the young man giving testimony, Jonah Keller, who is also the book’s first-person narrator, backs up and gives readers an account beginning in 2009 which leads up to the opening trial scene. The amazing thing about those first four pages is the degree of depth and insight Parks-Ramage reveals about the book’s major player—a character who is very emotionally tormented and flawed.
Jonah comes from an unaccepting, troubled family and has great ambitions. He wants to be a playwright, but with his background, lack of support from his parents, and no connections he fears he is doomed to failure. So, he sets about setting forth a plan to get into the good graces of a wealthy and successful, “well-preserved fifty-five” year old, Pulitzer Prize winner, Richard Shriver. Utilizing what little money he has to get to New York, then working as a waiter, doing intensive and personal research on Shriver and even scripting what to do and say and when he manages to have a “chance” meeting with the playwright, Jonah’s seduction of the older man is eventually hugely successful. As it turns out, too successful, because there is much more to Richard Shriver than his public image, and it is very dark and very sinister.
YES, DADDY is already receiving a lot of critical acclaim and is being adapted for television by Amazon. The writing and plotting of the…