I really liked the "art-world" vibe of this book, especially the focus on provenance and the way Alex's curator eye picks up on things others miss. The Munich and Barcelona settings were great, and the tension between Alex, Jason, and Paul kept me hooked. However, the final confrontation with Marcus Reinhardt felt a bit too easy. For a guy who was supposed to be this smart to just confess his crimes while Alex is conveniently recording him on a phone in his jacket pocket was a bit of a stretch. Still, it's a solid, atmospheric thriller if you can get past that one plot point.
E
E. J. Marston
April 26, 2026
Verified Purchase
I picked this up thinking it was going to be one kind of book and got blindsided by another, in a good way.
The first few chapters had me leaning in close. Munich at the start is so warm and lived-in I could almost smell the pretzels, and the quiet ache between Alex and Jason — that thing where you love someone and also feel them drifting and refuse to name it — got under my skin fast. I've been there. Most of us have.
Then Paul walks in and the temperature changes. I want to say more but won't. What I'll say is that the moment I realized what kind of story I was actually reading, I felt a little betrayed and a little thrilled, and I kept turning pages anyway, which is sort of the whole point.
It's not perfect. There were stretches in the middle where I wanted the plot to slow down and let me sit with the people again, and a couple of the reveals I saw coming. But Alex is such a careful, watchful narrator that even the obvious stuff feels earned, like watching someone work out something you already know they need to learn.
The ending got me. I won't say how. Just — the last image, the woman in the landscape you have to look for. That's the whole book, really.
Would recommend if you like quiet books that don't stay quiet.
